The River, 1980
Talking about the means in which bedrock & cycle can abduction joy as able-bodied as bleakness, Springsteen already said, "How could a blessed song like 'Sherry Darling' coexist with 'Point Blank' . . . ?" Swept forth by Roy Bittan's affecting piano, this admirable passion-play carol was absolutely one of Springsteen's gloomiest accord songs. Although he's never discussed who aggressive it, it's continued affected the woman in the song is an ex who dealt with biologic problems.
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